Computers S.P.A.
by Maurizio Bianchi
Mark Wilson
Marek Żabski
M764
Thorsten Soltau
Joseph Gibbs
CHRIS OSHI
CHAOS V.G.
Rafael Severi
laughingman7743
KottonKrown
richard chartier
guchuan
martyoshea
Rob Johannsen
robert crozier
dwid
kristiancarter
Matthew Mercer
lawrence english
klaus.
orig_pov
Jay Pee Bee
brian graff
sammarion
jOeseph Smoesph
Bias Techone
iit
alfabriz90
tanots
Brian Sassaman
eliasrafael
barros_r
Matthew Evans
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€8 EUR or more
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Record/Vinyl + Digital AlbumLimited luxury edition of "Computer S.P.A." in black vinyl 150 gr of 300 copies.
Includes high quality CDR with decomposed version by Pharmakustik, downloadable code with free digital album with bonus tracks and MB's classic logo in black tote bag.
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Includes unlimited streaming of Computers S.P.A. via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... moreships out within 7 daysPurchasable with gift card€26 EUR or more
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Full Digital Discography
Get all 43 Verlag System releases available on Bandcamp and save 70%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Space Exodus, Vestiges Neuronaux, Computers S.P.A., Something Strange in the Mountains, IV, Outtakes, rareties & experiments (2020 - 2022), En directo en La Residencia, Electric Fluxus, and 35 more.
Purchasable with gift card€72.68 EUR or more (70% OFF)
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SMECTRUOP
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about
==============MAURIZIO BIANCHI / MB ================
------------------------- COMPUTERS S.P.A. ---------------------------
After the "concretistic" beginnings and the synthesis between integral
concretism and artificial synthetism, in the autumn After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn of 1980 I arrived at the synthetic court of the purest and most uncompromising electronics and thus the "COMPUTERS S. P. A." project was born, consisting of two improvisations on the Korg MS synthesizer-20, free of ancestral prejudice and freely inspired by computerized music that in the second half of the 70s was gaining ground in the academic schools of experimentation. After more than 40 years, these "technical rehearsals" could seem a playful and carefree exercise, while inste@d they cover a dramatic denunciation of the sounds generated without the basic help of emotion and spontaneity, essential elements of the most genuine and constructive avantgarde music.
(M.B., September 2022)
Special mention about collage art design method in collaboration with Maurizio Bianchi, Siegmar Fricke and myself. A combination with traditional tecnique of collage, 'xeroxed copy' scan and digital treatment in 'Off-set' quality print. Taken original ideas from early 80's 'mailing trade' music on cassette format.
(Alonso Urbanos, January 2023)
Special vinyl-edition of the legendary cassette, privately produced and
released by Maurizio Bianchi in November 1980.
The undisputed father of nuclearsurgic sound-degeneration and apocalyptic avantgarde produced one of his most radical and uncompromising works entitled COMPUTERS S.P.A., consisting of dense electronic segments, furious pulsations and harsh waveforms, formed by the KORG MS 20-synthesizer plus machinistic recordings from tape.
Maurizio Bianchi describes his early works as TECHNOISE SOUND coming from ; strictly personal feeling, frustration and contradiction.
COMPUTERS S.P.A. is ; completely idiosyncratic piece of music, conceived with dramatic insistence, emotion;
irrationality, hysterical scission, schizophrenic energy and madness.
The two improvisations inspired by computerized music can be defined as FINAL INDUSTRIAL MUSIC (term used by M.B.), the last sensation before the end.
(Pharmakustik for Verlag System, November 2022)
------------------------- COMPUTERS S.P.A. ---------------------------
After the "concretistic" beginnings and the synthesis between integral
concretism and artificial synthetism, in the autumn After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn of 1980 I arrived at the synthetic court of the purest and most uncompromising electronics and thus the "COMPUTERS S. P. A." project was born, consisting of two improvisations on the Korg MS synthesizer-20, free of ancestral prejudice and freely inspired by computerized music that in the second half of the 70s was gaining ground in the academic schools of experimentation. After more than 40 years, these "technical rehearsals" could seem a playful and carefree exercise, while inste@d they cover a dramatic denunciation of the sounds generated without the basic help of emotion and spontaneity, essential elements of the most genuine and constructive avantgarde music.
(M.B., September 2022)
Special mention about collage art design method in collaboration with Maurizio Bianchi, Siegmar Fricke and myself. A combination with traditional tecnique of collage, 'xeroxed copy' scan and digital treatment in 'Off-set' quality print. Taken original ideas from early 80's 'mailing trade' music on cassette format.
(Alonso Urbanos, January 2023)
Special vinyl-edition of the legendary cassette, privately produced and
released by Maurizio Bianchi in November 1980.
The undisputed father of nuclearsurgic sound-degeneration and apocalyptic avantgarde produced one of his most radical and uncompromising works entitled COMPUTERS S.P.A., consisting of dense electronic segments, furious pulsations and harsh waveforms, formed by the KORG MS 20-synthesizer plus machinistic recordings from tape.
Maurizio Bianchi describes his early works as TECHNOISE SOUND coming from ; strictly personal feeling, frustration and contradiction.
COMPUTERS S.P.A. is ; completely idiosyncratic piece of music, conceived with dramatic insistence, emotion;
irrationality, hysterical scission, schizophrenic energy and madness.
The two improvisations inspired by computerized music can be defined as FINAL INDUSTRIAL MUSIC (term used by M.B.), the last sensation before the end.
(Pharmakustik for Verlag System, November 2022)
credits
released March 31, 2023
Decomposed at Mectpyo Studio, Milan, during the beginning of the month of November 1980, using synthesized sounds.
====================================================
Edited and mastered by Pharmakustik at Pharmakustik-studio Germany in September 2022
====================================================
Centered collage and visuals on record-labels: Maurizio Bianchi (M.B.), August 2022, (scan: Pharmakustik, digital collage & thechnical design: Alonso Urbanos)
====================================================
SMECTRUOP/OSCAM audiochemically decomposed by Pharmakustik in
September 2022 involving neuralgic granulators.
Co-edited by Osadía Ediciones & Verlag System
Decomposed at Mectpyo Studio, Milan, during the beginning of the month of November 1980, using synthesized sounds.
====================================================
Edited and mastered by Pharmakustik at Pharmakustik-studio Germany in September 2022
====================================================
Centered collage and visuals on record-labels: Maurizio Bianchi (M.B.), August 2022, (scan: Pharmakustik, digital collage & thechnical design: Alonso Urbanos)
====================================================
SMECTRUOP/OSCAM audiochemically decomposed by Pharmakustik in
September 2022 involving neuralgic granulators.
Co-edited by Osadía Ediciones & Verlag System
license
all rights reserved
tags
discography
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Jan 2024 -
Dec 2023 -
Mar 2023 -
Feb 2023
contact / help
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